Batik Details & Sources
Like watercolour, the work is painted from light tones through to the darkest. The palest dyes needed are applied and dried thoroughly. Hot wax (78deg) is then painted on to the areas you want keep. These waxed areas are then protected and darker areas are gradually built up, wax and then dye, finishing with the darkest tones. The wax is then partially removed with an iron and old newspapers. The brilliance of the dyes and the wax finish, never entirely removed, gives Batik its unique vibrancy. The wax also means that the picture is very durable to light and harmful atmosphere. MATERIALS www.khadi.com for the papers I use, 01243 535314. They are based in Chilgrove North of Chichester. Phone them for times open (variable) and directions. Silk paper is lovely but heavily slubbed – nice for some subjects, never use bleach on silk! Mulberry paper is quite safe to bleach. Bleach – used sparingly on Khadi papers produces fabulous results and does not harm the paper. Ratio of one part bleach to three of water and can be kept ready mixed.
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